“The tar can caught my eye because of its attractive shape and interesting features related to its purpose. It is tucked away under the sink, and probably often goes unnoticed.

 Its angular shape gave me a fresh focus for my work. I began by making angular shapes based on its proportions and then explored various attachments like over-the-top handles and stuck-on spouts. The addition of joining seams resulted from inspecting the construction of the can and then adapting this to the way I work. Instead of making the separate sections and joining them together, I threw the pot, sliced it open to alter the shape, formed a seam, then 'riveted' it back together with my stamp.

This piece gave me a blank canvas; a good form to explore without copying it. I could experiment with different finishes and bring in elements of my own methods of expression, deconstruct it, and use the various elements to create something new yet still familiar – like an old memory. I could use the shape of the rim for a bowl or the sharp cut on the foot as a line to frame an area of decoration.

 The possibilities for expression seemed endless and I hope the results of my effort is a testament to the idea of ‘heart, head and hands’.”

 About Ellie